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Modjeska

by Nightjars

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    Compact disk in a jewel case. Includes a 16-page lyric booklet with a short essay about the album. Lizards not included.

    More of a cassette person? We've got those, a zine, and an exclusive sticker over at sentimentalrecs.bandcamp.com/merch :-)

    (* everything "ships from Washington" right now, but that's only true of US orders. Canada & international orders ship from Vancouver, BC.)

    Includes unlimited streaming of Modjeska via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
    ships out within 5 days
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1.
17 05:19
well in that case i guess we'll hang around till the warranty's worn down we'll just keep on moving house till someone finds us out we'll hide the scorch marks in the yard and the knots on our hearts that's what makes us us and on the cusp of 17 that's when the whole thing starts the shaking visions, prophetic dreams, the signs, the tattoos, and the scars the message written in the sky in chemtrails and in stars: will you be ours? who is the birthday girl? who's the lucky guy? i am not a criminal – which of you am i? which of you am i? if i broke this body, would they give me one that's mine? if i broke this body, would they give me one that's mine? if i broke this body, would they give me one that's mine? would i be fine? mysterious shape i saw at sunrise before i went to school: i ate my toast and never told you didn't wanna wake you too the day it changed, the picket fence, the grass, the cake, and the balloons – was it for me or for you? twisting and gasping, i surface from a dream one of us is crying, oh but which of us is me? which of us is me? if i broke this body on the cusp of 17 if i broke this body on the cusp of 17 if i broke this body on the cusp of 17 would they give you back to me? i am not a criminal the message in the sky blow out all the candles which of them am i? which of them am i? if i broke this body (do you think that i’d be fine?) if i broke this body (on the cusp of 17) if i broke this body (would they give me one that’s mine?) if i broke this body (would they give you back to me?)
2.
you borrowed my coat and got smashed then you blew me off and gave my coat back i pressed the collar to my nose coconut, perfume, the smell of you after three mojitos god, i miss Becky so bad and i’d give anything to forget that in Oakland for the weekend but i, i never want to think about the rent again asleep inside your childhood room enough Silicon Valley money to reinvent the moon the bathroom map with all the pushpins marking all the cities that she’s been in but we’re no better when we live like bachelors all this debauchery’s pushing me into the dirt, or so i heard but everyone i like is gone skinny pretty boys are rolling on the lawn, so help me god so help me god god help me the wind‘s a dog with three legs it’s fifty miles before i will speak again and money can’t buy us out, no! but i, i don’t really listen to much classic rock or techno BLOOD! from new teeth in my mouth apologized for freaking out while at your house now i can’t tell if wealth feels nice i don’t even know enough to know when or whether i’m not liked but that’s all right i’m in the shower and it’s 3am i’m looking around the bathroom again and now all i see on that map are the spaces without any pins in them do you believe that it was written in the rock? the underground will die and i’ll try not to talk so who will come and save your baby now? hey, you’re super nice until you start to get left out – what’s that about? i’m ready for the house you’ve got my coat on and i’m ready for the house
3.
Homebody 03:59
Marco Polo, swimming blind i clutch the wall, i toe the line the shallow end has made me numb our mothers watch from waterside i call and brace for your reply and someone whispers "here they come" a cry as my hand finds your arm, but i've shut my eyes, i'll do no harm and no one can break the rules we've bent much later, in a moving car, all openmouthed, i'll taste the dark around me you can't go home again Marco Polo, where you been? i trace the roadmaps up again oh, Central Valley, this time i'm too old to throw a tantrum like a bride's bouquet into a crowd, but that's okay i'll hide it a place only i know the times i wished that i was grown i really wanted to be alone in silence but to still feel loved like maybe in the other room       could be someone with an i love you   if i needed it, if i needed love, love, love, if i needed love like i needed love, love, love, if i needed love is this insult? is it injury? is it something else entirely? feels different when i am on my own this stasis-laced catastrophe   i never knew that i could be so homesick without ever leaving home and i'm Daniel in the lion's den     when will my pride come back again? homebody, you'll have to start anew and then alone in an unfamiliar room i'll whisper out an i love you and everyone will know who i'm talking to cuz those times i wished that i was grown i really wanted to be alone in silence but to still feel loved like maybe in the other room could be someone with an i love you if i needed it, if i needed love, love, love, if i needed love and i needed love, love, love, and i needed –
4.
things i burned that could still come back: a million tons of broken glass what didn't hurt that i still burned: half a language dying in the dirt tabulate it: everything i saved everything i didn't give away stratify it: devastating loss everything i ate, all the people that i loved and i betrayed, will be a natural history – but none of that was me lunch at Big Creek we won't speak three days and then five days again next week white sage, burnt brush calls i tried to make when you couldn't talk – i might die, but they'll never dig that up don't you touch that don't you touch my grave or anything i didn't give away you can have it please just take it all everything i wore, all the letters that i wrote and i ignored, will be a natural history i said it wasn't me got home late and wrote down what i thought laid my bones in sediment to rot felt it like another Pleistocene: i thought i knew it once – well, it burned me in the back and now it's gone a layer in the sea a natural history are you missing me?
5.
feelings of not enough wax and ebb i look like my Lola just a little, round the jaw stretch, bend my face to it but i can't pin it down i try to speak of it but nothing's rushing out and all i want to be is a body of water is a body of water i'm a body of water no one come near me i live inside my mirror till i'm in the street landlocked, some 'she' knight in sailboat, calm dark sea in my own mind i'm an angel of distress outside myself i'm too easy to guess all i want to be is a body of water is a body of water i'm a body of water oh, i'll drown in me if you don't get it, i still love you even in tears in this kitchen she said, "if they don't get it, it's not about you, just the tide changing" it's just the tide changing
6.
there’s a mule deer at the edge of my property sniffing out the stars from where they hide in the stream while you are away, i can feel your love passing over me like a bird in the night on its way to sleep there’s a time we’re glad to be alive and i don’t know when it’s coming again rising tides and the mythical wives and the bars on the doors of the warrens men stand with guns at the edge of a lonely and terrible fence and every morning on the bus i watch the mountains rise brown eye of my joy and a bird in the nighttime but i don’t own the river or the deer i swallow lumps of long-gone years lay my head on a shoulder that shrugged me off and i knew i was in the wrong you don’t have to tell me twice, say the word, i’ll be gone i said, i don’t want to ruin the night for you you said, i don’t want to be there without you he played finish line and you handed me a ribbon of the moon oh, i’ll live long, but never long enough to love you like i want to there’s a time right before my very eyes that we’ll spend our whole lives living in their eyes, i’m a mythical wife, and in mine, i’m a beast of a burden you crash through every fence and you know the boy i am and every morning on the bus i watch the mountains rise new moon, closed wound, slow burn in the nighttime the mountains all alight a fire lowlands away, my dear and an old friend was not is a friend anew he once said, it is all around you don’t have to chase it down, say the word, cuz we do there’s a time and a place intertwined i could spend my whole life chasing but i’m alive, i am real and surprised as a yolk in a broken casing when i can’t see you, we imagine warmer times some morning on the bus we’ll hold each other tight you’re the moon of my life, dear bird in the nighttime
7.
Genesis 04:01
there’s a light low tide and my brother and i are tracing your steps to the sun in the drops and grains, you are singing the names of the creatures that run when we run by your hand, as planned, the stars form the shape of a man but time brakes hard and the stars, like pearls, come undone you name the animals you name the animals you name the animals you name the animals there’s a great dark warmth where the trees reside and we stand together and watch it rise in the dust you are naming the ways that the sage can be known there’s a light, and a fault – it’s not mine and it won’t be resolved we traverse the drought earth and learn what it grows you name the animals you name the animals you name the animals you name the animals then you do what men do and complain that your family left you and you try to sever the ties that bind all of us who remain and i say what i say so you claim i imagined it anyway so no way can be paved from that masked and hungry place you name the animals you name the animals you name the animals you name the animals you are a father who bothered to wander around and decide he would leave who saw me as the daughter who slaughtered the city that my father named after me i don’t think, i don’t cry, i sign “love” at the end of my lines, though it’s spent, and i haven’t meant it in a long time you name the animals you name the animals you name the animals you name the animals stop sending me photos of my hometown! i didn’t like it then, and i don’t like you now i shuffle my days like a pack of cards don’t tell me how happy you think you are you name the animals you name the animals you name the animals you name the animals
8.
Aria 05:00
you were not a cathedral, love, i knew that when i met you, but i still wear this ring like i’m still young and even though i do my best to find you in the quietness less often now, i still bite my tongue summer comes in waves and i never felt safe maybe it’s not the same so give it a different name oh, i try to tell ya but my words rot before they’re ripe they were born at the wrong time and now 400 years have passed since last October burnt her last – but you never cared, guess now you never will i dreamt i was an astronaut, then i woke up and i forgot, but in the dawn, the moon was rising still autumn comes in waves and still i don’t feel safe maybe they’re not the same so give one a different name oh, i tried to warn ya but my words were all born freaks they all looked just like me the lamplight like a swarm of bees comes pouring through the centuries tonight i’ll sing her songs about the moon and you are like a telescope turned wrong way round, held much too close i never sang this aria for you well, winter goes in waves and even this will break no more of these golden flames no more of this crumbling name oh, please tell my daughter she has her mother’s face but somehow she’ll be safe that i will keep her safe the years will go in waves but she’ll live to see the day maybe she’s not the same but she’ll find a different name tonight, i’m gonna sing her the loveliest lullaby and she’ll turn out all right and she’ll turn out all right and she’ll turn out all right
9.
and then in darkness flying home i'll count my fingers in a dream and i'll watch the cities passing under, golden, bursting at the seams i'll pin those constellations to the ground until they leave me cold this is the future, where i'm young, but oh my god, i feel so old i feel so old young and tender and bold and oh my god, i feel so old god, i feel so old it's 2 AM and we go wandering balboa island streets the moon looks fake, the houses made for dolls, and everything's too neat so we decide we're still on emma's couch, but fallen fast asleep and all these houses hold our memories we're having the same dream that's how it seems you and steffi and rachel and me and we'll wake up clean and we'll wake up completely this world has libraries and unknown flying objects in the sky and time's not real and all my dreams are fake and distance is a lie and i'm too old and i'm too young and still i wanna tell the truth that i don't want to be with someone, i just wanna be with you simple but true if i make you happy too then that's what we should do, should do that's what we should do and we do
10.
Modjeska 04:55
oh, Modjeska, though we may never meet, i’ve spent my life curled up at your feet your mother and i shared a place, but not a time and i’m only in town for a while season of scales in the year of death, what can you say that i haven’t heard yet? when i am driving and alone with you, oh, i am clueless in a world of clues oh, mother, mother, in the café window counting backwards with her eyes closed tilting toward the myth that she knew best: “a perfect land where she took her rest” longed for a life with a horse and a gun new dust in her mouth, south of a new sun now she watches her own shadow swell pacing the boards while the farm goes to hell so, Modjeska, though i will never know you, go tell your mother i must be leaving soon lay down the heavy gown of the foolish prince’s wife live in that shadow for the rest of your life loved the city the most when i wasn’t up close, or when falling asleep and i love you the best when i’m not dispossessed, but it’s not up to me this refrain was akin to the one that crept in to the letter i wanted to write — so i thought about writing all night and i freeze how i feel until things can be real and not distant but the strain of the transit defies understanding, now, doesn’t it? out of the shapes that i know God can take, well, my favorite’s the space in between us — but that’s all i want to discuss and there is no veil and no railing between us and elsewhere i can’t see you today, but some nearby someday, you will be here, and the time that we spend between our nows and thens will look small as the wink of an eye — as Modjeska has since testified i love you, i love you, goodnight
11.
stone-black little lizard on the fence outside the kitchen i grew up in for most of my life knee brace and crutches like a fable with a punchline day bright as the birds on the wild ceramic sky train runs for miles and i know every pace she chased me through her backyard with flour on her face the things i denied myself still took up so much space but memory makes circles at the end i am again cowboy, hill-runner, you turn the sage white freezing your head so your soul never dies bombs that bought our freedom, the lawns that drained them dry powerful men alive again as freeway signs i don’t like it either, but it swallowed our lives we were pearled up on the half-shell of your barricade drive canyon, can you show me how to give up my power this time? memory makes circles at the end i am again memory makes circles at the end

about

The first full-length Nightjars album, Modjeska, is a collection of songs written in and about Adrian Jade Matias Bell’s childhood home of Orange County. Named for one of the peaks of the region’s ubiquitous Mount Saddleback, Modjeska traces the arc of a coming-of-age in Southern California, exploring gender, love, friendship, and family with depth and warmth. At the same time, the songs never lose sight of the backdrop against which they exist: the rigid class structures and manufactured blankness of contemporary colonialism, which follow the eye like a mountain on the horizon.

credits

released May 7, 2021

Made on unceded Tongva and Acjachemen land

Recorded by Rosie Tucker at Keepsake Studios, Pietown Sound, and at home
All songs produced by Rosie Tucker except 17, produced by Adrian Jade Matias Bell
Mixed by Anna Arboles
Mastered by Mirza Sheriff and Sonia Ohan
All songs written by Adrian Jade Matias Bell
All vocals and guitar by AJMB
Bass on Ready for the House, Body of Water, and Genesis by Rosie Tucker
Drums on Ready for the House, Body of Water, Balboa Island, and Modjeska by Jessy Reed
Background vocals on Camp Pendleton by Eden Hain
Cover design by Bella Porter
Cover photograph by AJMB

Additional thanks to: Jacob, Mom, Kai, Wolfy, Rosie, Eli, Eden, Mars, and many more, including you.

If you like this album, please consider supporting an organization like the San Onofre Parks Foundation, the Sogorea Te' Land Trust, Seventh Generation Fund, or Land Back. All of these support land stewardship and/or education in the service of Indigenous sovereignty and cultural vitality.

Thanks for listening!

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Nightjars Vancouver, British Columbia

Nightjars is the solo project of queer and trans singer-songwriter Adrian Matias Bell. His first album, Modjeska, is a collection of songs written in and about his childhood home of Orange County. Carrying echoes of 70s singer-songwriter craft, Modjeska explores a California coming-of-age with gravity and warmth. ... more

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